![]() Arturia’s modelling expertise is on full show here, delivering a remarkably faithful emulation of the hardware’s all-analogue multi-mode filter. The only difference from a sonic perspective lies in the multi-mode filter section. It’s a tremendously powerful combination, but now that MiniFreak V is available to all-comers it’s worth considering how it stands up on its own. ![]() Of course, the primary advantage of this is that it allows hardware and software to operate in complete unison, their settings and parameters perfectly synchronised to give a best of both worlds synthesis solution: run as many instances of the MiniFreak V as you need to (or that your system can handle) replace software instances with the MiniFreak hardware as desired (for example when bouncing or “freezing” parts) and have the hardware provide complete hands-on control over any software instance. So, the pair of super-flexible algorithmic oscillators aren’t modelled, they’re the same the ADSR and Cycling envelope generators aren’t modelled, nor are the pair of LFOs (with ability to create user-defined patterns), they’re the same the three-slot effects section isn’t modelled… you get where we’re going here! Sequence editor READ MORE: Bastl Instruments Softpop SP2 review: A tiny terror, ten years in the making.Indeed, with the exception of the filter stage, which in the hardware MiniFreak is 100 per cent analogue, MiniFreak V’s synthesis engine is identical to MiniFreak. Given that MiniFreak V is a virtual version of one of Arturia’s own hardware synths, it’s little surprise that the software’s synthesis engine is practically identical to the hardware’s ( check out our review for details about that engine).
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